Region 5 Zone 01 Directory 02 Page 03

Among the favorite intimates of the king, perhaps the most prominent was the Duchess of Portsmouth. The king himself had raised her to that rank. She was a French girl, who came over, originally, from the Continent with a party of visitors from the French court. Her beauty, her wit, and her accomplishments soon made her a great favorite with the king, and for many years of his life she had exerted an unbounded and a guilty influence over him. She was a Catholic. Though not allowed to come to his bedside, she remained in her apartment overwhelmed with grief at the approaching death of her lover, and, strange as it may seem, she was earnestly desirous to obtain for him the spiritual succors which, as a Catholic, she considered essential to his dying in peace. After repeated and vain endeavors made in other ways to accomplish her object, she at length sent for the French ambassador to come to her rooms from the king's chamber, and urged him to do something to save the dying sinner's soul. "He is in heart a Catholic," said she. "I am sure he wishes to receive the Catholic sacraments. I can not do any thing, and the Duke of York is so full of business and excitement that he does not think of it. But something must be done."

William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.

The history of Rome is that of a city which originally had only a few miles of territory, and gradually extended its dominions at first over Italy and then over the civilized world. The city lay in the central part of the peninsula, on the left bank of the Tiber, and about fifteen miles from its mouth. Its situation was upon the borders of three of the most powerful races in Italy, the Latins, Sabines, and Etruscans. Though originally a Latin town, it received at an early period a considerable Sabine population, which left a permanent impression upon the sacred rites and religious institutions of the people. The Etruscans exercised less influence upon Rome, though it appears nearly certain that a part of its population was of Etruscan origin, and that the two Tarquins represent the establishment of an Etruscan dynasty at Rome. The population of the city may therefore be regarded as one of mixed origin, consisting of the three elements of Latins, Sabines, and Etruscans, but the last in much smaller proportion than the other two. That the Latin element predominated over the Sabine is also evident from the fact that the language of the Romans was a Latin and not a Sabellian dialect.