Region 5 Zone 01 Directory 02 Page 11

Van Goyen (1596-1656) was one of the earliest of the seventeenth-century landscapists. In subject he was fond of the Dutch bays, harbors, rivers, and canals with shipping, windmills, and houses. His sky line was generally given low, his water silvery, and his sky misty and luminous with bursts of white light. In color he was subdued, and in perspective quite cunning at times. Salomon van Ruisdael (1600?-1670) was his follower, if not his pupil. He had the same sobriety of color as his master, and was a mannered and prosaic painter in details, such as leaves and tree-branches. In composition he was good, but his art had only a slight basis upon reality, though it looks to be realistic at first sight. He had a formula for doing landscape which he varied only in a slight way, and this conventionality ran through all his work. Molyn (1600?-1661) was a painter who showed limited truth to nature in flat and hilly landscapes, transparent skies, and warm coloring. His extant works are few in number. Wynants (1615?-1679?) was more of a realist in natural appearance than any of the others, a man who evidently studied directly from nature in details of vegetation, plants, trees, roads, grasses, and the like. Most of the figures and animals in his landscapes were painted by other hands. He himself was a pure landscape-painter, excelling in light and aerial perspective, but not remarkable in color. Van der Neer (1603-1677) and Everdingen (1621?-1675) were two other contemporary painters of merit.

"If you will freely admit that this may not be great," I said, "I am on your side. I do not mind your saying, 'This touches me with interest and delight; but it is not to be reckoned among the lords of the garden.' What I object to is your saying, 'This is great and eternal.' I feel that I should be able to respond to the great poet, if he flashed out among us; but he must be great, and especially in a time when there really is a quantity of very beautiful verse. I suspect that perhaps this time is one that will furnish a very beautiful anthology. There are many people alive who have written perhaps half a dozen exquisite lyrics, when the spring and the soaring thought and the vision and the beautiful word all suddenly conspired together. But there is no great, wide, large, tender heart at work. No, I won't even say that; but is there any great spirit who has all that and a supreme word-power as well? I believe that there is more poetry, more love of beauty, more emotion in the world than ever; and a great many men and women are living their poetry who just can't write it or sing it."

Others, as the rabbits, field-mice, and squirrels, are more or less active and forage freely on whatever they can find, eating many things which in summer they would spurn with scorn. To this class belongs that intelligent but injurious animal the musquash or muskrat. Those which inhabit the rivers and larger streams live in burrows dug deep beneath the banks, but those inhabiting sluggish streams and ponds usually construct a conical winter house about three feet in diameter and from two to three feet in height. These houses are made of coarse grasses, rushes, branches of shrubs, and small pieces of driftwood, closely cemented together with stiff, clayey mud. The top of the house usually projects two feet or more above the water, and when sun-dried is so strong as to easily sustain the weight of a man. The walls are generally about six inches in thickness and are very difficult to pull to pieces. Within is a single circular chamber with a shelf or floor of mud, sticks, leaves and grass, ingeniously supported on coarse sticks stuck endwise into the mud after the manner of piles. In the centre of this floor is an opening, from which six or eight diverging paths lead to the open water without, so that the little artisan has many avenues of escape in case of danger. These houses are often repaired and used for several winters in succession, but are vacated on the approach of spring. During the summer the muskrat is, in the main, a herbivorous animal, but in winter necessity develops its carnivorous propensities and it feeds then mainly upon the mussels and crayfish which it can dig from the bottom of the pond or stream in which its house is built.